Author bio
Hoda Katebi is a Muslim-Iranian creative, fashion writer and activist, with a voice that is as unapologetic as it is powerful. The daughter of Iranian immigrants, Katebi writes from a on ethical issues on fashion created by the capitalist western world. Her sensational blog, Joojoo Azad, platforms her insightful and eye-opening articles. She doesn’t stop there though – Katebi is also: author of the book Tehran Streetstyle celebrating illegal fashion and Iran; host of worldwide book club #BecauseWeveRead; and founder of Blue Tin Production, ‘an all-women immigrant and refugee-run clothing manufacturing co-operative in Chicago’. Yeah, this woman is doing absolute the most.

REVIEW
Whilst Katebi’s blog is loaded with essential reading, I’ve chosen to focus on the following two:
‘How H&M is erasing war crimes in their latest marketing campaign’
‘All fast-fashion requires systemic gender-based violence: Conscious collections are fake news’
If you’ve ever shopped at ASOS, H&M, and the like, you’re probably wincing at those titles. So did I – because I have been a thoughtless customer of these brands for years, only recently becoming conscious of the dangers of fast fashion. In our growing movement in environmental concerns, fast fashion is the most devious industry. As Katedi writes, brands increasingly make feeble changes and mask themselves with labels like ‘fairtrade cotton’ and ‘conscious collection’. This makes it easy to feel as though our guilt can be relieved. I certainly hid behind this screen for a while, but Katedi’s powerful words make that almost impossible uphold that charade.
‘How H&M is erasing war crimes in their latest marketing campaign’
In this article, Katebi very importantly analysis the marketing practices of H&M in the context of green-washing: ‘an attempt to use self-proclaimed environmental sustainability to wash (or attempt to hide) the human rights abuses that the rest of their clothing is complicit in’. In this practice, brands hide behind futile labels – that don’t even cover their entire range – to mask their unethical operations. I for one can’t deny that I have walked into a H&M store before, looked at an ‘organic cotton’, green-labelled T-shirt, and thought, ‘wow, I love that H&M are becoming more eco-conscious!’ Honey, no.
Because logically, if H&M has constructed an entirely separate ‘sustainability’ collection, what are they then implying about how the rest of their clothing is made?
Hoda Katebi, ‘How H&M is erasing war crimes in their latest marketing campaign’
What’s brilliant about Katebi’s writing is that she places no blame whatsoever on the consumer here. Shopping at shamelessly cheap, fast-fashion brands like Boohoo and Pretty Little Thing is hard to justify if you’re economically able to shop better, but when brands like H&M plaster ‘eco’ on their labels, we (the consumer) are tricked. It’s only because I follow fast-fashion fighter Venetia Falconer on Instagram that I ever discovered the use of greenwashing at H&M, and without that I’d still be happily consuming their BS. We can’t possibly expect every individual to research the exact manufacturing process behind every product or item they consume – that’s on the business. And H&M is failing us. That’s why Katebi’s article is so effective – rather than saying ‘why are you shopping there? don’t shop there!’, she’s saying ‘H&M are tricking you whilst mistreating their workers and that is not ok’. By making consumers feel tricked rather than guilty, we can increase the allure for ditching these brands altogether.
In the main section of this article exploring its titular issue, Katebi explores the revolution-washing behind H&M’s latest marketing campaign. The campaign is in collaboration with fashion blogger Andy Torres and explores Israel, branding it as a fun, happy, progressive destination. As Katebi states, ‘in short, H&M’s latest collaboration with Andy Torres works to portray a violent apartheid state as the world’s next best travel destination’. Being honest, I know very little about the current political and social climate of Israel, so I don’t want to comment much on something I don’t understand. However, I understand the basic gist of it from Katebi’s accessible and informative writing. In an easily-digestible nutshell, H&M are essentially erasing the destructive political and social happenings of their glammed-up campaign destination, turning it into the backdrop for photoshoots of models in cute £4 tops. What do we say to this kind of green/revolution/everything-washing? Not today.
There is nothing apolitical about a fashion editorial story that works to wash out (whether intentionally or not) war crimes and make normal what is not: Israeli apartheid.
Hoda Katebi, ‘How H&M is erasing war crimes in their latest marketing campaign’
‘All fast-fashion requires systemic gender-based violence: Conscious collections are fake news’
This article was difficult, poignant, and wholly essential to read. As a feminist, I felt appalled that I’d been supporting the faux-green, unethical practices of gigantic corporations that directly harm female workers. If you feel like you want to know more but don’t know what to think when every tweet and article is pulling you in a different direction, then Katebi’s article is for you. She articulately uses fact, first-hand experiences of abused workers, and certified reports to convey the barbarity of brands like H&M in their supply chain. In a time of greenwashing, this is the wake up call we all need.
Pulling hair, hitting breasts, firing pregnant women, threats of sexual violence and non-renewal of work contracts are just some of the forms of difficult-to-read gender-based violence documented in the report that frame the daily realities of female garment workers across South and Southeast Asia.
Hoda Katebi, ‘All fast-fashion requires systemic gender-based violence: Conscious collections are fake news’
What makes Katebi’s article so powerful is that the facts she presents are both difficult and easy to believe – although undeniably hard to swallow. When we pour into our favourite shops for the week’s new items, we forget the significant of the fact that fashion really is a weekly event now. A ‘season’ has been reduced from an actual season, when our clothing choices endure practical changes, to mere weekly rotations of new prints and ‘essential’, ‘must-have’ styles. I remember when I was younger and everything I owned was either summer or winter clothing – each year, my mum would take me on one shopping trip to buy any new summer clothes I needed, then once again in winter. Now, the need to keep up with the conveyer belt of mass production is forced down our throats at an ever growing rate.
When we think about the mass and frequency of clothes produced by many brands, to then be sold for a feeble £3.99, can we even be surprised that factory workers are being abused in the process? Even for those being paid a fair wage (which is rare), the demand for mass consumption means that factory workers are being ran off their feet, forced to work at an unachievable pace and punished when they aren’t able to do so.
Garment factories exist in nations of color due to the legacies of colonialism, and are systematically dependent on exploitation and gender-based abuse to function within the fast-fashion model of production.
Hoda Katebi, ‘All fast-fashion requires systemic gender-based violence: Conscious collections are fake news’
Again, I want to point out that this isn’t my specialist area of knowledge. I know shamefully little about the realities of fast fashion production, but I’m learning. People like Hoda Katebi are making a huge impact by raising their voice on these essential issues. I love Katebi’s writing in particular because of her unapologetic, angry stance – she is taking no BS from fast fashion, and she does all she can to ensure her readers don’t fall victim to this greenwashing. I particularly love how she intersects fast fashion with other issues, such as feminism and colonialism. Whilst these are all inherently tied to fast fashion anyway, Katebi’s exposure of these ties brings the issue into more easily accessible dialogue. With writers like Katebi in the world, none of us can close our eyes to the facts.

